Donna Seager Gallery
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Jody Alexander
Rhiannon Alpers
Alicia Bailey
Bay Park Press
Marla Brill
Inge Bruggeman
Squeak Carnwath
Julie Chen
Will Cloughley
Cathy DeForest
Marie Dern
Guy Diehl
Daniel Essig
Foolscap Press
Amy Franceschini
Alisa Golden
Granden Press
Art Hazelwood
Caren Heft
Michael Henninger
Helen Hiebert
Charles Hobson
Kathryn Kain
Daniel Kelm
Lisa Kokin
Roberta Lavadour
Shanna Leino
Mary V. Marsh
Lin Max
Katya McCulloch
Howard Munson
Emily Payne
Nawakum Press
Ninja Press
Jeanmarie Nutt
Sara Press
Lisa Rappoport
Roslyn Ritter
Judith Serebrin
Elizabeth Sher
Brian Singer
Claudia Smelser
Helen Stanley
Erin Sweeney
Richard Wagener
Vita Wells
William T. Wiley


The Art of the Book
Sixth Annual Exhibition of Handmade Books,
Altered Books and Book Related Works

Sara Press


more work by Sara Press

In her work as a book artist, Sara Press explores challenging ideas. She tends especially towards subjects of overlap between humans and nature. Sara got her BA in Comparative Religion and Asian Studies at Columbia and then attended the San Francisco Art Institute for her masters in photography and printmaking. Under her imprint, Deeply Game Productions, she has created exquisite imaginative books that often highlight the poetry and beauty of animal behaviour. There is a trademark intelligence to Press' work mixed with a fertile imagination and beautiful craftsmanship.

The Wolf Girl of Midnapore, Sara Press, The Art of the Book at Donna Seager Gallery

The Wolf Girl of Midnapore

Based on the true story of Kamala, a feral child captured in India in 1920, this book features 6 original intaglio/aquatint etching prints set against gorgeous Indian papers. The text, which is letterpress-printed, consists of an original short story narrating Kamala’s experience, as well as an historical chronology of her life.

The book’s rich colors and rough edges combine with a classical scholarly presentation to evoke Kamala’s varied experiences: raised in the animal realm of vivid senses and immediate needs, then forced into the world of a Christian Missionary orphanage, where she eventually evolves language, bipedalism, and her own fierce aesthetic appreciation – for the color red. 

We love this book. The story reads from the point of view of the feral child whose animal instincts are primal and immediate. The gorgeous red papers, illustrating Kamala's love of the color red can be removed and stored in the front of the book, mirroring the child's hoarding of all things red and protecting the book since the papers are not acid free. The side of the papers that front the etchings is acid free.

Letterpress. Contains 6 intaglio etchings. 8”x6”x1” in an edition of 15 copies.




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